Elements of Modern Music
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Spiegel im or her Spiegel
Spiegel im Spiegel, originally drafted for violin and keyboard, is certainly one of Arvo Part's most influential compositions. In the beginning listen, the composition feels like a standard minimalist piece: it truly is in Farreneheit Major, created in 6/4 time, and over 8 mins long. The main aspect of the piece lies not in the audio content on its own, but in the way in which that Component uses that content.
Arvo Part was an exceptionally spiritual person, devoting also his music-making to his spirituality. His " tintinnabuli” style was created with the intention of mirror the Biblical portrayal of Christ. " On the surface it is calm, because was Christ's external acknowledgement of his inevitable function in the solution of all humanity. Yet that bears a great undercurrent of turmoil and desperation…” (Langager, pg. 61) Described within a practical manner, Part's technique of composing inside the tintinnabuli design involves hanging around the tonic triad to be able to create a " bell-like” top quality. In fact , the word tintinnabuli is the literal mention of the the buzzing of bells in Latin. Futhermore, the tintinnabular design of Part produces an effect " in which a chord lingers in time until each of the elements of the triad possess sounded. ” (Langager, pg. 29) Portion goes on to clarify another important aspect of his tintinnabuli style in an interview with the BBC: Tintinnabuli is the mathematically exact interconnection from one series to another…tintinnabuli is the secret where the tune and the accompaniment [or accompanying voice]…is 1. One plus one, it is a single – it is not two. This can be the secret of the technique. ” It is crystal clear that Part's ultimate aim was to do as much as he can with less than he had. His " 1 plus one” equals 1 philosophy could be blatantly read in Spiegel im Spiegel.
The textual German translation for Spiegel im Spiegel is " mirror inside the mirror. ” When hearing the piece with this knowledge, we could hear...
Bibliography: Langager, Graeme. " The Tintinnabuli Compositional Style of Arvo Part. ”
British Republic of colombia, Canada; Extended Beach, Cal. 1997.
Arvo Part & Anthony Pitt. BBC a few Radio Interview.
Royal School of Music, London. 2000.